Okay, last super-late post before I get to the new festival:
Israelis and Palestinians, they've had their differences over the years. There's obviously a rich history to this region but what foes that mean to some New Yorker chick? That's the staggeringly inessential question that this film tries to answer. I think you're supposed to sympathize with this granddaughter of a Palestinian refugee but she seems like the epitome of "the ugly American". She barges into a strange country, makes ridiculous demands, and throws a tantrum when she doesn't get what she wants. This woman robs an Israeli bank because of the persecution she feels she has endured by the Israelis. Apparently Israel is so powerful that it can oppress third-generation immigrants in Brooklyn. And the nicer the Israelis get the more petulant this woman becomes! The Middle East has enough problems, we don't need American tourists stirring things up.
This charming little film takes place in a small Italian fishing village in the 1950s. The town has an unusual tradition where, on a girl's eighteenth birthday, all the boys bring her father a present and then he allows the bearer of the best gift to take his daughter on her first date. How they prevent teenage girls from going on dates until they turn eighteen is left unexplained. Anyway, our hero Marcello is the son of a poor fisherman and he never participates in this ritual because he can't afford presents (at least, not any presents that are good enough to get the girl). Of course, Marcello is in love with a girl and he must find the perfect gift for her eighteenth birthday. The problem is that her father is the mayor of the village and the other, richer boys are pulling out all the stops to win her hand. The tradition is especially weighty because so many villagers wind up marrying the boys who take them on their first date. Fortunately, Marcello notices that the mayor is woken up by a rooster every morning and realizes that presenting him with that rooster will be a far better gift than anything the other boys can buy. Unfortunately, the owner of the rooster hates the mayor and won't part with his pet for anything . . . except maybe for two bottles of a rare limoncello. Well, Marcello rushes off to a small island to locate the prized commodity but the sisters who make the stuff won't part with their precious reserves . . . unless Marcello can get something of theirs back from a shopkeeper. Naturally, this becomes a very complicated process and it is an absolute joy to watch Marcello scramble about the village trading favors to secure the one gift that will get him his love.
Dominic Monahan stars in this horror-comedy about two hapless grave robbers in 18th century England. It's a fun movie but somehow not as much fun as it should be. I mean, it's good for chuckles, not laughs. It was disappointing, I really wanted to love this movie but I just couldn't get into it. The premise was great and the actors did their parts but it just didn't quite come together the way it should have. Amusing but not a must see.
Monday, April 6, 2009
Sunday, April 5, 2009
Philadelphia Film Festival & Cinefest '09: Day 11
Okay, so I totally dropped the ball on this one but I want to wrap up the last film festival before I get to the most recent one. Most of this post was written six months ago. I just didn't get around to finishing until now.* Anyway, I'm sorry to keep you waiting. I know you've been dieing to read my thoughts on movies you've never heard of:
Training RulesFor decades the women's basketball program at Penn State war run by Rene Portland, an unrepentant bigot who wouldn't allow lesbians to play for her. In 2006 a student who stood up to her after being kicked off the team for her perceived sexual orientation. This documentary tells her story in the blandest way possible. I'm sorry, documentaries are suppose to be films and this felt like a "20/20" Special Report, even the 57-minute running time felt made for TV. On a scale of one to five (official grading scale of the festival) I give the story a four but the execution a two.
In general, I feel like police procedurals no longer have a place in the film world. With three versions of "CSI" and four iterations of "Law and Order" (not counting their documentary series) it seems like the stories are pretty well played out. This film sets itself apart by telling a story that couldn't be told on the small screen but I'm not sure that it's a story worth telling. The main thing this movie has going for it is the strong hand of director Jennifer Lynch (the daughter of a noted filmmaker). It's a slick, good-looking suspenseful flick with a ridiculous plot. This one, I give a two for the story but a four for the execution (again on a scale of one to five).
Shorts program with a horror theme:
White Radishes - A man attempts to rescue a girl being used as radish fertilizer. Creepy and beautiful looking.
The Fairy Princess - Suspenseful film about a man who kidnaps unsupervised trick-or-treaters. Great ending.
I Don’t Sleep I Dream - This was weird. Like, weird in an I-don't-understand-what's-going-on way, not weird in a good way.
A Little Mouth to Feed - A woman who's been trying desperately to conceive is told by her husband that her constant calls to God are of no use. She decides to direct her prayers elsewhere and finally gets results. Creepy and suspenseful.
Rite - Very little dialogue is used in this stylish look at a society where everyone gets the end of their ring finger cut off as a symbol of adulthood.
The Painter of Skies - Beautiful but tedious animated film about an artist who must overcome his demons to produce a hopeful painting that he can put into his lighthouse machine to make the weather nice and return home . . . or something.
Side Effect - The babysitter is preparing a roast turkey - Look, I think we all know where this is going. The only thing about this film that's interesting is that instead of a hippie high on illegal drugs we're presented with an over achiever strung out on prescription meds that are supposed to keep her awake and focused. Oh, how societal fears have changed.
The Horribly Slow Murderer with the Extremely Inefficient Weapon - An attack from a spoon-wielding ghoul goes from annoying to torturous over a period of years as the relentless killer stops at nothing in this very funny spoof of horror trailers.
Treevenge - As awesome as it sounds! This pitch perfect parody of late 70s/early 80s horror films offers a look at Christmas from the trees' perspective and then the bloody, bloody aftermath as the plants take their revenge and the topiary revolution begins.
Another shorts program, this time with a disturbing theme:
80% - "Hey, it's Jenn!" That was my first thought when watching this dark short about a dystopian future (or past, steampunk throws me off) where the world is dying of thirst. It's fun to see your friends on the big screen, even if you're a little confused about the plot. But two other people I know were in this short and it had a great look and an ominous tone so I was happy with it.
Pie of the Day - Amusing animated film but it seemed very derivative of "The Ren & Stimpy Show".
Piñata - Very funny stop-motion animation about a piñata who's given the opportunity to take his revenge on humans. His bloody, bloody revenge.
The M.O.D presents MoneyLEGS - Bizarre but awesome animated short about a bushel of money with legs and the men who love it (her?). I believe there was singing and dancing.
Rx/OTC - Experimental horror film. And by "experimental" I mean "nonsensical".
Inside ARM UVI #1: Georges Bataille's Story of the Eye - Man, I don't know what to make of this one. It was based on a video installation that was part of the fringe festival. There were images of women with their eyes gouged out spliced together with some porn so, uh, it was interesting.
Thanks Blood - I don't remember this one. It must not have been that great.
Smut Cave - A mock public-access cable show purports to review the latest trends in internet pornography. This week's topic? Cake farters. It's an absurd but highly entertaining look at a ridiculous world. I think I was most impressed with how perfectly they nailed the amateurish production values and awkward delivery style of a non-professional host.
Apprentice - Pretty good but very long short about a junkie and his young protege. It seemed like a fairly realistic portrait of what it would be like to addicted to crack, living on the streets, and making your living as a low-end male prostitute but I don't think that's enough to base a 40-minute film on. Oh well, at least it had a few god moments of comic relief.
This film tells the true story of South Korea's first generation of rock and rollers. It begins as a light-hearted story about a bunch of kids trying to make it as rock stars. They're young and reckless and seem to be having a great time introducing Korean audiences to songs like "Soul Man" and "Proud Mary". Their band, The Devils, is pretty rockin' and the youthful hijinks are fun. But as tension with their neighbors to the north increases the government imposes a curfew for safety and The Devils are only able to perform by circumventing the law. They find a loophole that allows them to perform in a hotel (night clubs are forbidden) as long as they get the audience in before the curfew starts and keep them in until the wee hours of the morning when the curfew ends. Needless to say, this makes for a pretty sweet all-night party. Okay, so we've got rock 'n' roll, teenage rebellion and hot go-go dancers. Everything is going well but our years of watching VH1's "Behind the Music" have taught us that it's only a matter of time before the inevitable fall from grace and a straight shot to rock bottom. Only this time it's not the drugs or the egos or the girlfriends that break things up, it's the authorities. Basically, the entire band gets arrested for playing Western music. Arrested and tortured. Tortured for playing music. Rev. Shaw Moore wasn't even that strict. You see, there was a military coup in South Korea in 1961 that lead to a dictatorship until the president was assassinated in 1979 (only to face another coup, and subsequent military dictatorship, in 1980). It was really a wake-up call to realize that our hippies had it easy.
*Oh, and I'm sure that nobody cares but I'm back dating this post so that the date matches the day I saw these movies, not the date I finally got around to posting. I actually do that for all my festival posts but there usually isn't a six-month difference.
Saturday, April 4, 2009
Philadelphia Film Festival & Cinefest '09: Day 10
This spy caper is about government agents who are more interested in hoping into bed with the subjects of their investigation and each other than they are in finding the misplaced state secrets - Ah, the French! The case leads the agents to go undercover by posing as music students in this bizarre but delightful genre mash-up that gradually become more ridiculous as each scene passes without ever dropping it's deadpan tone. I know this is a cop out but I'm going to excerpt most of Raymond Murray's write-up from the festival guide because he does such a good job of summing up this unique film:
Odd is the first word that springs to mind when describing this effervescent French spy comedy, with the words witty, unpredictable, delightful and original following close behind. Secret agents Muriel (Marina Fois) and the boyish Philippe (Lorant Deutsch) are sent on a mission to find a USB key possibly hidden by Constance (Jeanne Balibar), the fetching widow of a recently killed black market uranium salesman . . . Will the alternately quarrelling and loving spy couple find the key? Er…that may not be the point in what director Ilan Duran Cohen (Grandsons, Confusion of Genders) calls an "anti-romantic comedy." It’s actually much more than that: it may be France’s first sexy musical/comedy/spy caper/thriller.
Generally I don't understand what's going on in a Quay brothers film, in the strictest sense of the word, but that doesn't mean that I don't enjoy them. I mean, one of my favorite paintings is "Soft Construction with Boiled Beans (Premonition of Civil War)" by Salvador Dalí and I don't understand it at all. I think it's about war because it's right there in the title and, clearly, nothing good is going on in that painting but that's as deep as my understanding goes. But that doesn't mean that I can't appreciate on a purely visceral level. For me, the Quay brothers are the same way. They have such a distinctive and imaginative style that it's impossible to look away. Their films always seem to have an otherworldly feel to them with an ominous, almost frightening, tone. I don't get them but they're beautiful in their own horrifying way.
France has long ago abandoned the love triangle in favor of the love dodecahedron. The primary relationship in this film is between a student and a teacher (played by the guy from The Dreamers). Of course the teacher has to break up with another teacher and the student he's currently seeing before he can make a move. There are lots of secrets, betrayals, and broken hearts. It's a well-made film but trying to keep track of all the relationships gave me a headache.
Based on a true story, this film hits all the usual tropes of the oppressed-person-takes-a-stand-against-the-system-of-injustice-by-going-to-court film but manages to keep it all fresh and immensely watchable. It stars Nicole Beharie (who you should keep your eye on) with a supporting cast that features Alfre Woodard, Tim Blake Nelson, Charles S. Dutton and a gentleman with the curious name of Xzibit. The case at the heart of this film deals with racist police actions in Hearne, Texas during the 2000 elections. The DA ordered a drug raid on an apartment building based on the testimony of one man with a history of mental illness. An innocent woman is arrested and compelled to make a plea bargain that would give her a suspended sentence and allow her to return home to her children. This arrangement lets the DA's office claim another conviction and increase the amount of federal money they are entitled to. It's a terribly corrupt system that preys on the weakest people in the county and glorifies the powerful. The film tells the powerful story of how Regina Kelly (Dee Roberts in the film) stood up to this injustice with the help of the ACLU and a local lawyer. It also features uniformly strong performances and a clever screenplay. In a few weeks it's going to start showing up in theaters and I think it will appeal to a broad audience.
I missed the first two installments of this Thai horror series, so I'm a little out of my element here. The plot seemed overly complex and soap operay but at lest part of that is probably me being thrown into the middle of a story. It's a decent film but it's one of those horror movies that's more gross than it is scary.
Friday, April 3, 2009
Philadelphia Film Festival & Cinefest '09: Day 9
Cairo is the largest city in Africa and the Middle East but it has no official city-wide waste disposal system. This documentary tells the story of the Zaballeen, poor Egyptians who have been collecting garbage for 100 years (for a nominal fee) and then recycling it for profit. Their world is thrown into tumult when the government decides to modernize trash collection by hiring foreign firms. The Zaballeen complain because not only in their way of life being destroyed but their environment as well. While the Zaballeen pride themselves on being able to recycle 80% of the garbage they collect, the foreign firms are only able to recycle about 20%. When one of the Zaballeen boys takes a trip to Wales to see a high-tech recycling system, which is able to process 29% of refuse, he comments that it is quick but lacks precision. The Zaballeen do all their sorting by hand and are able to a lot more attention to detail. Oh, and the best part of the movie occurred in Wales when one of the boys said "Hey, did you see that car? It stopped so the pedestrians could cross the street!"
When soldiers and marines return to the U.S. from Iraq or Afghanistan over 75% of them arrive in Bangor Maine. When they get off the plane there are always civilians (including veterans) there to greet them and provide them with cell phones to call their loved ones. It's such a small gesture to show these men and women how much we appreciate their efforts but it really seems to mean something to them. This documentary explores the story of three senior citizens who are ready to drive miles in the snow at a moments notice to greet our troops. The film largely ignores the politics of the wars (as do the volunteers) in favor of more personal truths.
This horror film has a decently creepy premise but it just wasn't quite scary enough (or funny enough) to leave a lasting impression.
Delightful film that tells the epic story of Rama and Sita juxtaposed against the director's autobiographical tale of romantic difficulty. The highlight of this film is the trio of Indian narrators who repeatedly mix up the details when they're not busy forgetting them all together. This leads to a great deal of comedic arguments underscored by the animation which quickly changes to adapt to the narrators ever changing story. The main problem I have with this film is that the excessive amount of musical numbers which bring the action to a screeching halt. Even more infuriating is the completely unnecessary intermission which eats up three minutes of screen time. An eighty-two minute film does not need an intermission! Fortunately, you can watch the film for free, either online or by downloading it, both ways will afford you the opportunity to fast forward through anything you find boring.
I'm not going to pretend like I understood this rare feature-length film from the Brothers Quay. It was a long day and this was my fifth film so I had a hard time concentrating on what was happening. But I can say, without reservation, that this film looks beautiful.
Thursday, April 2, 2009
Philadelphia Film Festival & Cinefest '09: Day 8
This Korean documentary tells the story of a 79 year-old farmer and his 40 year-old ox. They're both old, skinny, and nearly broken from a lifetime of hard labor. Watching what the ox is forced to endure makes you want to declare it animal abuse but the fact is that his master is working just as hard to survive. The farmer's wife may or may not be working as hard as the other two but one thing is for sure, she complains enough for the three of them. This movie has a lot of heart and a lot of humor.
Two middle school(ish) aged brothers are forced to confront some of the harsh realities of growing up in this quirky Swedish film. It's mostly about the rivalry between the older, overweight brother and the younger, handsome one and how it comes to a head when a family secret is revealed. I wouldn't say that I totally loved this one but the characters are very well drawn and the plot takes you down some unexpected turns. Those are two things that I really appreciate in a film.
This documentary about gun-violence and its relationship to hip-hop culture does a good job of raising issues and moderating the debate but aside from some thoughtful interviews with rappers it doesn't really bring anything new to the conversation. It's sort of a like a "Violence in Rap for Dummies", a great place to go if you don't know a lot about the subject but something you can probably skip if you're more well versed. Also, it suffers from not covering these issues as well as the film I saw next . . .
I walked into this basically expecting to see Lean on Me: The Documentary with the big difference being that it took place in Newark, NJ instead of Patterson, NJ. But principal Ron Stone of Weequahic High School isn't the no-nonsense, strict disciplinarian I was expecting. The tactics he employs mirror our strategy in Iraq, which probably tells you how bad things have gotten in our schools. Principal Stone works with the students who head up the local chapters of the Crips and the Bloods to keep the peace between the gangs. His strategy is not to keep kids out of gangs but to teach gang members how to resolve conflicts nonviolently. It's a shocking approach but one that acknowledges the reality on the ground. Stone even goes to the gang leaders when one of their members is having trouble in school. This leads to a comical scene where where the leader of the Bloods lectures one of his gang members about what he needs to do to graduate on time. He sounds more like the kids father than his crime boss. Another interesting thing that sets this documentary apart is the depth it goes into about the history of Newark and how it's changed over time. Weequahic used to be the number one high school in the nation in a largely Jewish neighborhood (one of it's many successful alumni is Phillip Roth). Many of the former students who attended Weequahic during the civil rights movement felt that there was a natural bond between the children of Holocaust survivors and their African-American classmates. Later, the Weequahic Alumni Association was founded as a way for the doctors, lawyers and other professional who graduated in the past to try to give a younger generation access to the opportunities that they had. It's a fascinating story and this film does a wonderful job telling it.
The title for this Bulgarian film comes from a substance that serves as a chewing tobacco/road filler and is used as a slang term for shit. The festival guide describes it as "a well-crafted thriller that uniquely combines elements of both neo-noir and Soviet pseudo-socialist art" and that's a better summary than I could give you. While it's a very watchable film, I'm not sure it succeeds at everything it attempts (and this is an ambitious film so it attempts a lot). The noirish plot will keep you guessing until the end but part of the reason is that it doesn't totally make sense. Fortunately, the film has the good sense to rebel against its ponderous mix of genres and include a sense of humor about itself. There are a surprising number of laughs in what could have been a very dour film.
Wednesday, April 1, 2009
Philadelphia Film Festival & Cinefest '09: Day 7
Delightful (but overlong) Japanese comedy about an actor hired to impersonate a legendary assassin but only told that he's filming an improvised movie. Needless to say, hijinks ensue. It has a lot of smart gags and a true love of cinema. Oh, and the ending is effing amazing.
I'd say that this Argentinian movie was about 35% sex and 60% mystic mumbo jumbo about sex. I've seen pornos with more intricate plots and deeper character development. I will attempt to quote two lines of dialogue from a conversation late in the film (I'm doing this from memory so they're not going to be completely accurate):
I know this is going to sound crazy but when we're having sex I am transported to other cites!Oh, and in case you're wondering, the remaining 5% involved sleepwalking, a witch, and walking on stilts.
What, she has a hallucinogenic twat?
This may come as a shock to you but highly processed foods are unhealthy and businesses care about making money, not what's good for you. This is a well-made documentary but it's not exactly breaking any new ground. The whole time I was watching this I kept thinking of the scene in Fast Food Nation where Bruce Willis admits to Greg Kinnear that the beef has been contaminated by shit and then takes a big bite out of a juicy burger. But they were giving away books at this screening so I at least got to walk away with a copy of "Eat Safe" and "Skinny Bitch" so that's a plus . . . I guess.
Fun but ultimately unfulfilling movie about a Japanese Group Sound (GS) band in the late 60s. It has some of the charm of That Thing You Do! and genuine laughs but the film never fully delivers on the promise of its premise.
This multi-family drama deals with the legacy of abuse and attempts to break free from a damaging cycle. In stark contrast to some other films I've seen this year that stretch thin plots to the breaking point, this movie suffers from a epic story that feels a little cramped in the 120-minute running time. This film has so much to say and so much ground to cover that I almost think the story would be better served by a miniseries or TV show. I think part of the problem is that it's a semi-autobiographical picture and the author wanted to put every defining moment from her childhood into it. Of coarse, when all is said and done, I'd much prefer a film with too much story than too little.
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